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Psychological Approaches to Literature 1

FRUDIAN'S THEORY


During the twentieth century there has been a shift away from the “who done it “genre to the “why did he do it” Major writers have included Hermann Hess., Franz Kafka, James Joyce and Virginia Woolf.

In literary criticism some critics have abandoned the formalistic/aesthetic approach because of their limitations and inadequacies in coming to terms with the major concerns of modern literature. Rather than being “Art for Arts sake”, modern literature tends to be more exploratory and didactic. The emphasis is more on character and motivation than on form and structure.

The psychological approach to literary criticism is very controversial and is easily abused.

Some critics argue that it was already used by Aristotle in his Poetics in the 4 th century BC, when he defined tragedy as combining the emotions of pity and terror to produce “catharsis”.. These critics argue that this is merely a sub—conscious emotional response to literature.


FREUDIAN THEORIES


1. Core theory — the unconscious aspects of the human psyche.

Most of our actions (mental processes) are motivated by psychic forces over which we have little control.

· Mind is like an iceberg — its greatest weight and density lies below the surface.

Two kinds of unconsciousness

a) pre—conscious — latent not directly aware of something, however with effort. it can be retrieved

b) unconcious — something very difficult to revivte mocceesfully blocked or repressed. Comes out in perverse ways.

Ex Novel/Movie — “Marnie

.2. Second theory (now rejected by most psychologists including Carl Jung, his disciple).

“All human behaviour is ultimately motivated by sexuality.”




3. Freud’s Three Psychic Zones


1. Id — reservoir of libido

— primary source of all psychic energy

— functions to fulfil the primordial life principle

— our basic drives (S)

— pleasure principle

— no rational order / organisation/ will

— impulse to obtain gratification of instinctual needs

no regard for social conventions — asocial

— no values — good/evil amorphous/ amoral

— source of all aggression desires

— lawless, self—destructive

— pre—Freudians called it the “devil” in man



2. Ego

regulating agency to curb the Id

— protects the individual and society

— rational, reasoning, logical

— partially conscious

— aware of reality



3.. Super Ego

— Largely unconscious

— moral censoring agent

— conscience, self—image, pride

— moral restrictions or repression of Id.

— blocks off or represses those drives which society regards as unacceptable.. operates on rewards and punishments

— an overactive S.E. creates unconscious guilt (complex).



Healthy person has a well balanced Pyche, while an imbalance of any one force causes mental stress — neurosis - today of called a syndrome or a disorder.



Id pleasure principle animals

Ego reality mankind

Super Ego morality “ angels



Applications of Frued’s theories


1) Symbolism — most images interpreted in terms of sexuality

a) concave images (ponds, flowers, cups, vases, caves, hollows, tunnels)

—female or womb symbols

b) long (erect) images (towers, snakes, knives, swords, trees, poles, sky scrapers, missiles)

— male or phallic symbols

c) activities (dancing riding, flying) symbols of sexual pleasure.

· Of ten pushed too far — Little Red Riding Hood

2) Child Psychology

infant and childhood are formative years a period of intense sexual development and awareness.

First five years children pass through several phases in erotic development.

1) Oral 2) Anal 3) Genital

Frustration in the gratification of any of these: eating, elimination, or reproduction may result in an adult personality that is warped.

If a child’s development is arrested in any one of these phases, he may develop a “fixation”.

Fixation:

1. Oral — pre—mature weaning may result in cigarette smoking

2. Anal — overly strict toilet training — fastidious, fussy

3. Genital — close attachment to parent — may develop either an Oedipus or Electra Complex.


Psychological Defence Mechanisms


Our ego is very delicate and fragile and so we often use ways and means to

try to protect it. In the face of confusion, disappointment, failure, conflict and frustration, our psyche needs help to cope. Without “psychological crutches” we become stressed or anxious. We can have three reactions to Anxiety or stress:

1) Attack problem and develop solutions.

2) Ignore the problem, hope it will go away.

3) Def end ourselves (our ego, self esteem, image)

Psychological Mechanisms,
I Substitution - Compensating
· Overdoing one thing to cover up deficiencies in other areas.

· conversationalist — good talker — not a doer.



I I. Repression - Blocking
· Try to forget failures or unfortunate incident.

· we forget to perform unpleasant duties.



I I I RATIONALISATION - Justifications
· we substitute a “good reason” for an action rather than the real one.

· wishful thinking — not reasoning



IV. REGRESSION - Reverting to former states.

· Reverting to childish behaviour or habits

· often covers up fact that we can not cope with problem.



V. SUBLIMATION
· Basic drives become expressed in socially accepted forms.

· hostility expressed in competitive sports.

· a blood thirsty individual becomes a butcher.



VI. - IDENTIFICATION
· Role—playing — we take on characteristics of a person we admire. a Hero—worship or modelling (apeing)



VII. INSULATION
· Protective Shell

· being aloof, distant, unconcerned, cold, “don’t care”

· self-sufficient, detached “cool”.



VIII. SCAPEGOATING - Justification
· Blaming our own faults, deficiencies, inadequacies on others.



IX. INTELLECTUALISATION
· Trying to remain objective, analytical, untouched in an emotionally threatening event.



X. MALINGERING - A Psycho-somatic disorder

· Adjusting through injury.

· Taking to your bed

· Having a headache

· Feeling sick to the stomach



XI. AGGRESSION -

Reacting rather than responding to a situation.

· You become overwhelmed by frustration and a sense of powerlessness or impotence to the extent that you react in a violent, vindictive and destructive manner.

SOURCE:http://nebo-lit.com/topic-areas/critical-lit/Psychological-Approach-to-Literature

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